Monday, April 26, 2010

Jimi Hendix

Music review of 'Valleys of Neptune' a posthumous album by Jimi Hendrix

By Chris Richards
Washington Post Staff Writer
Sunday, March 7, 2010; E07

There's a pesky ghost in a ruffled rainbow shirt and he just won't leave us alone.

His name is Jimi Hendrix and since his death nearly 40 years ago, he's gone from rock paragon to boomer nostalgia mascot to video game avatar -- and he's sounded pretty great the entire time.

And while the iconic guitarist's tie-dyed influence on American music has refused to fade, Tuesday marks a new wave of Hendrixophilia: the release of "Valleys of Neptune," a splendid collection of recordings, most from his final days with the Jimi Hendrix Experience.

It's a warning shot. "Valleys" will be released on Tuesday, alongside other remastered original Hendrix albums. Reports say that the late guitarist's estate is preparing a forthcoming anthology, too. Meantime, blogs continue to churn with rumors of a Rock Band video game that will give players the opportunity to channel their idol -- a notion that feels well suited to Hendrix's pioneering sense of techno-spiritualism.

Sound familiar? The entire campaign echoes the neo-Beatlemania of 2009: Repackage a legendary artist by offering products to different generations at various price points and hope the dollars roll in.

"Valleys of Neptune" kicks things off with 12 unreleased Hendrix recordings, most from 1969. And yes, in the age of file-sharing, "unreleased" is a relative term, but these versions should sound familiar only to the savviest of bootleg aficionados.

But with this new release comes plenty of old-fashioned mythologizing. On the album cover, our hero's portrait is superimposed over a billowing cloud of stardust as if to suggest that this isn't merely an album, but a transmission from some cosmic afterlife.

That's a tough myth to debunk. The disc's big revelation is its title track, with guitar chords skipping and skidding across the beat, Hendrix bellowing about his alien origins, "Mercury liquid and emeralds shining, showing me where I came from."

Some of Hendrix's best work evoked a limitless galaxy, a theme that's propelled some of America's most adventurous black musicians -- from Sun Ra to Funkadelic to OutKast. But the man also knew when to stay earthbound, and does just that with another unreleased tune, "Ships Passing Through the Night." It's a rolling, robust blues, his guitar swathed in an underwater warble that never blurs his human touch.

"Hear My Train a Comin' " unloads a similar bag of thrills, the guitarist wailing away while his rhythm section lurches along behind him. And that's really the draw of these recordings in 2010. They sound like three dudes playing together in a room.

Except when they aren't. A few of these takes ("Mr. Bad Luck," "Lover Man," "Crying Blue Rain") were touched up by original Experience members Noel Redding and Mitch Mitchell in 1987. It isn't a travesty, considering that Hendrix never shied from studio trickery. Having pushed so many envelopes in the realm of technology and timbre, one gets the sense that he would have loved Auto-Tune if he were still making music today.

Here's some more potential heresy: Hendrix's brisk, instrumental read of Cream's "Sunshine of Your Love" bests the original, with guitars sand-blasting away at the version forever calcified in our hive mind. Hendrix almost bests himself, too, with a sprawling eight-minute version of "Red House."

Why does this stuff still sound so good? Hendrix can no longer shock us with kaleidoscopic garb or onstage bravado, but his music still manages to violate our expectations with a subtlety that feels like magic. He remains strangely virtuosic, his playing full of sweet micro-imperfections. His fingers tease the tempo. He pulls notes back, rushes others forward, coaxing now-familiar noises from his Stratocaster as if it were a series of miraculous accidents.

You can hear the music happening -- a distinct, 21st-century pleasure that feels both quaint and mysterious.

Recommended Tracks:

"Valleys of Neptune," "Sunshine of Your Love," "Hear My Train a Comin' "




http://www.washingtonpost.com/wp-dyn/content/article/2010/03/04/AR2010030405761.html

Current African Jazz

Jazz guitarist Lionel Loueke stays true to his African roots

By Geoffrey Himes
Washington Post Staff Writer
Sunday, March 7, 2010; E04

Cotonou, an Atlantic port, is the largest city in the West African nation of Benin. It was there in the early '90s that a teenager named Lionel Loueke borrowed his brother's guitar and started playing in local dance bands. It wasn't easy. There were no accessible music schools or stores, so everything had to be learned by trial and error and by ear, usually from second-generation audio cassettes. And when one of his guitar strings broke, Loueke replaced it with a bicycle brake cable.

That early struggle was the beginning of a journey that brings Loueke's jazz trio to Blues Alley Monday night. It was a path that took him to schools in the Ivory Coast, Paris, Boston and California, won him jobs in bands led by Terence Blanchard and Herbie Hancock, and landed the guitarist a contract with Blue Note Records. Last December, Loueke got word that he'd received an unrestricted $50,000 United States Artists fellowship for the "caliber and impact" of his work.

Loueke's music is still rooted in his early days of continually rewound cassettes and bicycle-cable guitar strings. His new album, "Mwaliko," is brimming with African influences -- from Loueke's lilting crooning in his native Fon language to the rippling triplets of his guitar phrasing and the tongue clicks he adds to most numbers.

And yet the disc is equally defined by African American jazz -- from the substitute chords, elastic rhythms and unorthodox time signatures to the wild tangents of the improvised solos. The guitarist draws from both sources but refuses to be totally faithful to either. And that's what marks him as such an original.

"There's no need for me to play those traditional grooves from Africa the same way," he said by phone from his home in New Jersey. "We Africans know those grooves, but it's been done. It's the same thing in jazz. I may like bebop and Charlie Parker, but it's been done. Dizzy is dead, and the music has to go to a different place. You should learn some bebop, but you have to take it to another level. Bebop was a product of its time, but now it's a different time that needs a different music.

"The same is true of traditional African music. When I play in Africa today, they're surprised by what I'm doing, because it's not the same groove they're used to. It may still be highlife, but now it's in different meter or in a different harmony. They recognize where it's coming from but they've never heard where it's gone."

When Loueke played the New York Winter Jazz Festival in January, the towering, bald guitarist wore plastic glasses, a black pullover and faded jeans. Although the group was a trio, Loueke made it sound like a quintet by adding percussive tongue clicks and scat singing to his nylon-string guitar, Ferenc Nemeth's drums and Massimo Biolcati's bass.

On "Karibu," the title track of Loueke's 2008 album, the buoyant African melody was articulated by the guitar and scat syllables and the push-and-pull African pulse by the clicks and rhythm section. Before long, though, the tune and beat were spinning off into dizzying, improvised detours.

"I hear my voice as an extension of my instrument," Loueke said. "Sometimes I use words, but most of the time it's just sound. My voice helps me play the guitar better, because it teaches me to breathe by resting between my phrases. . . . When I'm singing and playing, sometimes it sounds like two different instruments, but most of the time it sounds like one, because everything is coming from my heart."

On "Mwaliko," Loueke is joined by two other jazz musicians who also sing scat syllables while playing instruments: Richard Bona of Cameroon and Esperanza Spalding of Portland, Ore. Loueke records two unaccompanied duets with each of these bassists, but the combination of two voices, guitar and bass, often moving independently, creates a large swirl of sound. The album also includes three numbers with Nemeth and Biolcati, who will back him at Blues Alley.

Two more unaccompanied duets feature Loueke with the biggest pop star in Benin, Angélique Kidjo, who will appear at George Washington Lisner Auditorium on March 27. That connection to his homeland is crucial.

"I'm glad I don't have to use bicycle cable anymore," Loueke said, "but when I listen back to the cassettes of my playing back then, I say, 'Man, that's cool. Why aren't I doing that today?' By studying harmony and jazz I learned many valuable things, but I lost my innocence, too. Now I'm doing my best to keep my essence even as I try new things. My goal is to absorb as much information as I can and then stop thinking about it."

Himes is a freelance writer.






http://www.washingtonpost.com/wp-dyn/content/article/2010/03/04/AR2010030405774.html

What Is Extreme Green? What Is Extreme Environmental Degradation?

October 19, 2008

Completely Unplugged, Fully Green

SIMON WOODS, who is 6, would like to play on a baseball team. His mother, Sharon Astyk, is sympathetic, but is also heavily committed to shrinking her family’s carbon footprint. “We haven’t been able to find a league that doesn’t involve a long drive,” she said. “I say that it isn’t good for the planet, so we play catch in the yard.”

That is one way that Ms. Astyk, a mother of four, expresses her concern for the environment. She has unplugged the family refrigerator, using it as an icebox during warmer months by putting in frozen jugs of water as the coolant (in colder weather, she stores milk and butter outdoors). Her farmhouse in Knox, N.Y., has a homemade composting toilet and gets its heat from a wood stove; the average indoor winter temperature is 52 degrees.

Many people who can comfortably use “carbon footprint,” “global warming” and “energy offset” in a sentence will toss a bottle or can into a blue recycling bin and call it a day. Those who are somewhat more committed may swap incandescent bulbs for compact fluorescents, rely on cloth shopping bags and turn to mass transit.

Then there are people like Ms. Astyk, 36, a writer and a farmer who is trying, with the aid of a specially designed calculator, to whittle her family’s energy use to 10 percent of the national average. She and her husband, Eric Woods, a college professor, grow virtually all their own produce, raise chickens and turkeys, and spend only $1,000 a year in consumer goods, most of which they buy used. They air-dry their clothes, and their four sons often sleep huddled together to pool body heat.

They began this regimen in 2002. “My husband and I started to talk about climate change, and oil prices were going up,” Ms. Astyk said. “The other factor was a justice issue. There was a great disparity between the resources used by the third world and by us, so we decided we had to cut back.” Some people may view Ms. Astyk and her family as role models, pioneers who will lead us to a cleaner earth.

Others may see them as colorful eccentrics, people with admirable intentions who have arrived at a way of life close to zealotry. To others they come across as “energy anorexics,” obsessing over personal carbon emissions to an unhealthy degree, the way crash dieters watch the bathroom scale.

Ms. Astyk has heard such talk but says her neighbors’ attitudes have softened as energy prices have risen. “People have moved gradually from ‘Sharon is a fruitcake’ to ‘Sharon is a fruitcake who might make some sense,’ ” she said.

Jay Matsueda, who might also answer to the name energy anorexic, or carborexic, has neither heat nor air-conditioning in his condominium in Culver City, Calif.

He runs his car, a 1983 Mercedes SD Turbo, on waste oil from a Los Angeles restaurant. When he gives a gift, it is usually an organic cookbook, a copy of Al Gore’s book “An Inconvenient Truth” or reusable bamboo flatware. “That way, people don’t have to accept plastic cutlery at takeout places,” said Mr. Matsueda, 35, who wrote in an e-mail message that he occasionally relieves himself on his lawn in order to “save a flush.”

Although he concedes that there is “sometimes an impracticality” to habits like filtering vegetable oil for fuel, people do view him as part of the mainstream, he said. “I’m not perceived as a very radical guy,” said Mr. Matsueda, the marketing director for a company that manufactures compact fluorescent bulbs. “People will say, ‘Jay’s doing it, and he’s normal.’ ”

How normal? Mr. Matsueda lives the sort of life that the public relations firm Porter Novelli recently called “dark green.”

The company conducted a poll of 12,000 people, examining their commitment to various environmental practices — reducing energy use at home, buying energy-efficient appliances, boycotting companies with bad environmental records. Seven percent earned the top designation, dark green.

Some people who organize their lives around carbon emissions do so in a private way, aiming to help the planet, and secondarily to influence friends and relatives. Others want to prove a point in public, including several who are pulling stunts.

David Chameides, a cameraman in Los Angeles, is collecting all the waste he generates in a year in his basement, and keeping a blog that describes his detritus. A sample entry (from Oct. 6, Day 279 out of 365) includes “1 bag of hair from haircut — put out on lawn for birds,” “1 plastic wrapper from ice cream — garbage” and “2 aluminum tuna cans — recycle.”

Similarly, Colin Beavan, a writer in New York City, is working on a book and movie, “No Impact Man,” about the efforts that he and his wife, daughter and dog are making to spend a year without harming the planet. “In other words, no trash, no carbon emissions, no toxins in the water, no elevators, no subway, no products in packaging, no plastics, no air conditioning, no TV, no toilets ...” he has written on his blog.

Not even Al Gore recommends such privations.

The former vice president, who is cited as an inspiration by some carborexics, is the founder of the Alliance for Climate Protection, a nonprofit group that sponsors the We Campaign. On that campaign’s Web site — wecansolveit.org — the advice is fairly prim: turn down the heat and air-conditioning when you aren’t at home, wash your clothes in cold water, pump up your tires, car-pool at least once a week.

The utility company Con Edison goes a bit further, offering more than 100 tips on its Web site. Among the less intuitive: take showers rather than baths, replace light switches with dimmers or motion sensors, don’t preheat your oven when you broil or roast food, cover liquids in the refrigerator (“uncovered liquids make the refrigerator work harder,” Con Ed says).

But nobody recommends reusing the same plastic Ziploc bag for a year, as Anita Lavine and Joe Turcotte, a Seattle couple, have been doing. When their two toddlers come home from preschool, Ms. Lavine scrubs the Ziploc bags that hold their soiled clothes and biodegradable diapers, and uses them the next day. She does the same with the plastic bags that hold her children’s apples “and random lunch stuff,” she said.

Whatever the weather, Mr. Turcotte, who is 40, rides his bicycle 16 miles a day (round trip) to his job at a health care foundation. Ms. Lavine, 35, who works for a company that makes DVD games, keeps the thermostat at 60 and is about to acquire three chickens. They’ll be welcomed for their eggs, their willingness to eat food waste and for their ordure — a nice addition to the family’s compost heap.

“My friends,” Ms. Lavine said, “think I’m the craziest person they know.”

Not everyone thinks that Ms. Lavine and her ilk are crazy. “What these people are doing is fantastic, needed and catalytic,” said David Gershon, the author of the book “Low Carbon Diet” and founder of the Empowerment Institute, a consultancy that helps people and communities reduce energy consumption. “Some people are in the vanguard and show what it’s possible to do,” he said.

When one half of a couple is less zealous than the other, it can be a strain.

Mr. Matsueda, the Los Angeles marketing executive, said he once broke up with a girlfriend who owned a Ford F-150. “It drove me nuts,” he said. “It was this big truck she took all over town with nothing to haul — she just didn’t get it.” The relationship, he said, ended for other reasons, but her choice of vehicle “didn’t help.”

To some mental health professionals, the compulsion to live green in the extreme can suggest a kind of disorder.

“If you can’t have something in your house that isn’t green or organic, if you can’t eat at a relative’s house because they don’t serve organic food, if you’re criticizing friends because they’re not living up to your standards of green, that’s a problem,” said Elizabeth Carll, a psychologist in Huntington, N.Y., who specializes in anxiety and obsessive-compulsive disorders.

Certainly there is no recognized syndrome in mental health related to the compulsion toward living a green life. But Dr. Jack Hirschowitz, a psychiatrist in private practice in Manhattan and a professor at the Mount Sinai School of Medicine, said that certain carborexic behaviors might raise a red flag.

“The critical factor in determining whether something has reached the level of a disorder is if dysfunction is involved,” he said. “Is it getting in the way of your ability to do a good job at work? Is it taking precedence over everything else in your relationships?”

People who adhere to a strict carbon diet say there are some sacrifices they are not willing to make. Ms. Astyk acknowledges that she sometimes buys new books and toys for her children — and that being the mother of four might even, to some, call her eco-credentials into question.

To her detractors, she points out that her children still receive Popsicles, Cheerios and the occasional new toy. “We let them have sugar and we let them watch television,” she said. And while she mainly shops at yard sales, “I do buy some new books. I’m not pure. I use Amazon.”

In part, she said, her family is living out a sort of futuristic experiment. “What does a life with less energy look like?” she said. “It’s fun to try to get the most out of the least. It’s like a party game.”






http://www.nytimes.com/2008/10/19/fashion/19greenorexia.html

Thursday, April 22, 2010

More Buyer Than Seller




Five Pot Producers For 1,500 Patients

By Olivier Uyttebrouck
Journal Staff Writer
Kristi Nawman enrolled in New Mexico's medical cannabis program in October and has an official identification card to show for it. But so far, no marijuana.

Nawman is one of 1,500 patients authorized by the New Mexico Department of Health to legally buy medical marijuana, a number that has exploded in recent months. She has applied with all five state licensed producers of legal pot, but has yet to obtain any.


"It's hard to get," said Nawman, who joined other advocates Tuesday at the University of New Mexico campus to raise awareness of the program.

"Every time you call a dispensary, they don't have any," she said.

Nawman received her license to relieve symptoms of glaucoma and neuropathy, two of 16 medical qualifications that qualify a patient for the state's medical marijuana program.

The state has added 550 patients since Jan. 1, according to Department of Health data. So far this year, the state had added at least 150 new patients each month.

The agency licensed five marijuana producers last year, including four in November, and is considering applications from 30 other nonprofits.

While state officials acknowledge that each producer can handle only about 100 patients, they say they want to move cautiously.

But medical marijuana advocates say the state needs to license more producers, and quickly. "Patients need improved access," said Julie Roberts, acting director of the Drug Policy Alliance New Mexico. "Five producers just isn't enough."

Health Secretary Dr. Alfredo Vigil said he is concerned about the program's rapid growth.
Given the large number of patients enrolled in the program, Vigil said he recognizes the need for additional marijuana producers. But the agency wants to license producers in a "safe and methodical" way that will prevent the diversion of marijuana to illegal markets, he said.

"We're also trying to do this in a way that the Department of Health doesn't basically end up overseeing the legalization of cannabis, because that wasn't the intent of the legislation," he said.

About 300 patients enrolled in the state program have licenses that allow them to produce their own supply of marijuana. Each is allowed to have up to four mature plants and 12 seedlings.
New Mexico lawmakers approved the medical marijuana law in 2007 to allow licensed patients to use marijuana to relieve symptoms of diseases and their treatments.

The rapid growth in patient numbers also raises questions about how the department will manage a growing program in a period of budget cutbacks, he said.

Advocates of medical marijuana gathered at the UNM duck pond on Tuesday in observance of "4/20," which has become something of a holiday for marijuana smokers.

Advocates say the state needs to approve at least 10 additional producers to satisfy the needs of patients now enrolled.

"The program is in a terrible state right now," said Larry Love, who turned out at the duck pond to advocate the medical marijuana program. "There is zero medicine available for the 1,500 patients."


http://www.abqjournal.com/news/metro/212349578974newsmetro04-21-10.htm

Former New Mexico Governor Says Legalize It

From The Albuqueque Journal -


Johnson Calls for Pot Legalization to Help Tackle Crime

Wednesday, 21 April 2010 13:08 By Michael Coleman


On Tuesday, former New Mexico Gov. Gary Johnson - like many other marjuana legalization advocates around the country - took advantage of the date, 4-20, to illustrate a point about the war on drugs.

4-20 is pot slang for "Weed Day" or making a time to smoke pot. Johnson, a former pot smoker and drinker who now does neither, discourages drug and alcohol use.

Johnson, who may run for president in 2012 and has launched a political action committee to spread his views, issued a statement saying the war on drugs is a loss. He said legalizing marijuana could help cut the crime rate.

"It is time we cut the crime rate in this country," said Johnson. "The current prohibition laws are forcing drug disputes to be played out with guns in our streets. We need to put a stop to this criminal drug element in our country. Johnson went on to say that the current drug laws produce detrimental consequences in Mexico and other Central and South American countries. If it were not for the prohibition laws in this country, the drug cartels would not be in business."

Johnson's statement also said "prohibition of marijuana costs American taxpayers approximately $42 billion per year in law enforcement costs, as well as lost tax revenues. In addition, Mexican drug cartels continue to reap huge profits from the prohibition of marijuana - with up to 70% of their total profits based on marijuana sales in the United States."


http://www.abqjournal.com/abqnews/politics-notebook/20696-johnson-calls-for-pot-legalization-to-help-tackle-crime.html