Rio’s Race to Future Intersects Slave Past
RIO
DE JANEIRO — Sailing from the Angolan coast across the Atlantic, the
slave ships docked here in the 19th century at the huge stone wharf,
delivering their human cargo to the “fattening houses” on Valongo
Street. Foreign chroniclers described the depravity in the teeming slave
market, including so-called boutiques selling emaciated and diseased African children.
The
newly arrived slaves who died before they even started toiling in
Brazil’s mines were hauled to a mass grave nearby, their corpses left to
decay amid piles of garbage. As imperial plantations flourished,
diggers at the Cemitério dos Pretos Novos — Cemetery of New Blacks —
crushed the bones of the dead, making way for thousands of new cadavers.
Now,
with construction crews tearing apart areas of Rio de Janeiro in the
building spree ahead of this year’s World Cup and the 2016 Summer
Olympics, stunning archaeological discoveries around the work sites are
providing new insight into the city’s brutal distinction as a nerve
center for the Atlantic slave trade.
But
as developers press ahead in the surroundings of the unearthed slave
port — with futuristic projects like the Museum of Tomorrow, costing
about $100 million and designed in the shape of a fish by the Spanish
architect Santiago Calatrava — the frenzied overhaul is setting off a
debate over whether Rio is neglecting its past in the all-consuming rush
to build its future.
“We’re
finding archaeological sites of global importance, and probably far
more extensive than what’s been excavated so far, but instead of
prioritizing these discoveries our leaders are proceeding with their
grotesque remaking of Rio,” said Sonia Rabello, a prominent legal scholar and former city councilwoman.
The
city has installed plaques at the ruins of the slave port and a map of
an African heritage circuit, which visitors can walk to see where the
slave market once functioned. Still, scholars, activists and residents
of the port argue that such moves are far too timid in comparison with
the multibillion-dollar development projects taking hold.
Beyond
the Museum of Tomorrow, which has been disparaged by critics as a
costly venture drawing attention away from Rio’s complex history,
developers are working on an array of other flashy projects, like a
complex of skyscrapers branded in homage to Donald Trump and a gated
community of villas for Olympic judges.
At
the same time, descendants of African slaves who live as squatters in
crumbling buildings around the old slave port are organizing in an
effort to obtain titles for their homes, pitting them against a
Franciscan order of the Roman Catholic Church that claims ownership of
the properties.
“We
know our rights,” said Luiz Torres, 50, a history teacher and leader in
the property rights movement. With the slave market’s ruins near his
home as testament, he added, “Everything that happened in Rio was shaped
by the hand of blacks.”
Scholars say the scale of the slave trade here was staggering. Brazil
received about 4.9 million slaves through the Atlantic trade, while
mainland North America imported about 389,000 during the same period,
according to the Trans-Atlantic Slave Trade Database, a project at Emory University.
Rio
is believed to have imported more slaves than any other city in the
Americas, outranking places like Charleston, S.C.; Kingston, Jamaica;
and Salvador in northeast Brazil. Altogether, Rio received more than 1.8
million African slaves, or 21.5 percent of all slaves who landed in the
Americas, said Mariana P. Candido, a historian at the University of
Kansas.
Activists
say the archaeological discoveries merit at least a museum and far more
extensive excavations, pointing to projects elsewhere like the International Slavery Museum in the British port city Liverpool, where slave ships were prepared for voyages; the Old Slave Mart Museum in Charleston and Elmina Castle, a slave trading site on Ghana’s coast.
“The
horrors committed here are a stain on our history,” said Tânia Andrade
Lima, the chief archaeologist at the dig that exposed Valongo, built
soon after Portugal’s prince regent, João VI, fled from Napoleon’s
armies in 1808, transferring the seat of his empire to Rio from Lisbon.
The
squalid wharf functioned until the 1840s, when officials buried it
under more elegant docks designed to receive Brazil’s new empress from
Europe. Both wharves were eventually buried under landfill and a
residential port district, called Little Africa.
Many
descendants of slaves settled where the slave market once functioned,
with African languages spoken in the area into the 20th century. While
the district is gaining recognition as a cradle of samba, one of
Brazil’s most treasured musical traditions, it was long neglected by the
authorities.
Black
Consciousness Day is observed annually in Brazil on Nov. 20 to reflect
on the injustices of slavery. In 2013 Ms. Rabello, the legal scholar,
pointed out, Rio’s hard-charging mayor, Eduardo Paes,
who is overseeing the biggest overhaul of the city in decades, did not
attend the ceremony at Valongo, where residents began a campaign to have
it recognized as a Unesco World Heritage site. Complicating the debate
over how Rio’s past should be balanced alongside the city’s frenetic
reconstruction, some families still live on top of the archaeological
sites, occasionally excavating Brazil’s patrimony on their own.
“When
I first saw the bones, I thought they were the result of a gruesome
murder involving previous tenants,” said Ana de la Merced Guimarães, 56,
the owner of a small pest control company who lives in an old house
where workers doing a renovation first discovered remains from the mass
grave in 1996.
It
turned out Ms. Guimarães was living above a dumping ground for dead
slaves that was used for decades, until around 1830. Estimates vary, but
scholars say that as many as 20,000 people were buried in the grave,
including many children.
Ms.
Guimarães and her husband opted to stay in their property, opening a
modest nonprofit organization on the premises, where visitors can view
portions of the archaeological dig. The authorities have plans to build a
light-rail project on their street, which may lead to more discoveries.
“This
was a place of unspeakable crimes against humanity, but it’s also where
we live,” Ms. Guimarães said in her home, complaining that public
agencies had provided her organization with little support.
Washington
Fajardo, a senior adviser to Rio’s mayor on urban planning issues, said
that some important steps had been taken at the archaeological sites,
including the designation of the slave port as an environmental
protection area. And he said that a plan under consideration would
create an urban archaeology laboratory where visitors could view
archaeologists studying material from the sites.
Mr.
Fajardo also emphasized that at another new venture in the port, the
Rio Art Museum, residents of the area make up more than half the staff.
“They
are handled by the purchaser in different parts, exactly as I have seen
butchers feeling a calf,” he said. “I sometimes saw groups of
well-dressed females here, shopping for slaves, exactly as I have seen
English ladies amusing themselves at our bazaars.”
Slavery’s
legacy is clear across Brazil, where more than half of its 200 million
people define themselves as black or mixed race, giving the nation more
people of African descent than any other country outside Africa. In Rio,
the large majority of slaves came from what is now Angola, said Walter Hawthorne, a historian at Michigan State University.
“Rio
was a culturally vibrant African city,” Dr. Hawthorne said. “The foods
people ate, the way they worshiped, how they dressed and more were to a
large extent influenced by Angolan cultural norms.”
Brazil
abolished slavery in 1888, making it the last country in the Americas
to do so. Now the relatively relaxed approach to the archaeological
discoveries is raising doubts about how willing the authorities are to
revisit such aspects of Brazilian history.
“Archaeologists
are exposing the foundations of our unequal society while we are
witnessing a perverse attempt to remake the city into something
resembling Miami or Dubai,” said Cláudio Lima Carlos, an architect and
scholar of urban planning. “We’re losing an opportunity to focus in
detail on our past, and maybe even learn from it.”
Correction: March 16, 2014
An article last Sunday about a huge construction project in Rio de Janeiro that has uncovered vestiges of Brazil’s prodigious slave trade misstated the surname of a professor of architecture and urban planning. He is Cláudio Lima Carlos, not Lima Castro.
An article last Sunday about a huge construction project in Rio de Janeiro that has uncovered vestiges of Brazil’s prodigious slave trade misstated the surname of a professor of architecture and urban planning. He is Cláudio Lima Carlos, not Lima Castro.
Taylor Barnes contributed reporting.
A version of this article appears in print on March 9, 2014, on page A6 of the New York edition with the headline: Rio’s Race to Future Intersects Slave Past.
http://www.nytimes.com/2014/03/09/world/americas/rios-race-to-future-intersects-slave-past.html
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